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Pagina 33
Cézanne's familiar dictum expressed the same truth : " What we must do is Poussin over again on nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal ...
Cézanne's familiar dictum expressed the same truth : " What we must do is Poussin over again on nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal ...
Pagina 389
From the natural object the geometrical line is distinguished just by this , that it does not stand in the context of nature . What constitutes its essence belongs indeed to nature ; the mechanical forces are forces of nature .
From the natural object the geometrical line is distinguished just by this , that it does not stand in the context of nature . What constitutes its essence belongs indeed to nature ; the mechanical forces are forces of nature .
Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |