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Pagina 33
Cézanne's familiar dictum expressed the same truth : " What we must do is Poussin over again on nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal ...
Cézanne's familiar dictum expressed the same truth : " What we must do is Poussin over again on nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal ...
Pagina 389
From the natural object the geometrical line is distinguished just by this , that it does not stand in the context of nature . What constitutes its essence belongs indeed to nature ; the mechanical forces are forces of nature .
From the natural object the geometrical line is distinguished just by this , that it does not stand in the context of nature . What constitutes its essence belongs indeed to nature ; the mechanical forces are forces of nature .
Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |