A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 33
... nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal , " but at making something beautiful by the display of a form with the help of visible symbols ...
... nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal , " but at making something beautiful by the display of a form with the help of visible symbols ...
Pagina 389
... nature ; the mechanical forces are forces of nature . But in the geometrical line and geometrical forms they are taken altogether out of the context of nature and the endless interplay of natural forces and accentuated for themselves ...
... nature ; the mechanical forces are forces of nature . But in the geometrical line and geometrical forms they are taken altogether out of the context of nature and the endless interplay of natural forces and accentuated for themselves ...
Pagina 404
... nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another sup- port in such a saying . Naturalism , pleinairism , impressionism — even the guileless ...
... nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another sup- port in such a saying . Naturalism , pleinairism , impressionism — even the guileless ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York