A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 200
... necessary or sufficient property . Many theorists contend that their enterprise is no mere intellectual exercise but an absolute necessity for any understanding of art and our proper evaluation of it . Unless we know what art is , they ...
... necessary or sufficient property . Many theorists contend that their enterprise is no mere intellectual exercise but an absolute necessity for any understanding of art and our proper evaluation of it . Unless we know what art is , they ...
Pagina 205
... necessary and sufficient properties but a decision as to whether the work under examination is similar in certain re- spects to other works , already called “ novels , ” and consequently warrants the extension of the concept to cover ...
... necessary and sufficient properties but a decision as to whether the work under examination is similar in certain re- spects to other works , already called “ novels , ” and consequently warrants the extension of the concept to cover ...
Pagina 323
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , “ baked all through like a cake . ” Since everything that is ...
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , “ baked all through like a cake . ” Since everything that is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York