A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 84
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tissue of feelings and events ...
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tissue of feelings and events ...
Pagina 216
... never been spoken or sung aloud . For if this had been done , only once , and had been overheard there would be no good reason to deny the existence of the work though it were never heard again . This seems to attribute an exaggerated ...
... never been spoken or sung aloud . For if this had been done , only once , and had been overheard there would be no good reason to deny the existence of the work though it were never heard again . This seems to attribute an exaggerated ...
Pagina 326
... never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting ...
... never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York