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Pagina 84
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
Pagina 216
Similarly , Mozart might have composed a melody , say a setting for a song , which was never sung and for which he did not produce a score . Would one say that these works had existed and been lost to the world ? Perhaps .
Similarly , Mozart might have composed a melody , say a setting for a song , which was never sung and for which he did not produce a score . Would one say that these works had existed and been lost to the world ? Perhaps .
Pagina 326
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |