A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 369
... object , but the image as remodeled by imagination and charged with vital meaning . It is the beautiful thing contemplated , and is therefore to be distinguished from the act of contemplation . Attention is not aware of itself ; it is ...
... object , but the image as remodeled by imagination and charged with vital meaning . It is the beautiful thing contemplated , and is therefore to be distinguished from the act of contemplation . Attention is not aware of itself ; it is ...
Pagina 374
... object— a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
... object— a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
Pagina 375
... object or " opposite " it . This means first of all that I may not only feel joyful or pleased , but may feel ... object . I feel in the esthetic contemplation of the beautiful object in some way vigorously active , or free , or ...
... object or " opposite " it . This means first of all that I may not only feel joyful or pleased , but may feel ... object . I feel in the esthetic contemplation of the beautiful object in some way vigorously active , or free , or ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York