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Pagina 369
He begins the present article by defining the nature of the " esthetic object . " It consists of the " sensuous appearance , " not the bare physical object , but the image as remodeled by imagination and charged with vital meaning .
He begins the present article by defining the nature of the " esthetic object . " It consists of the " sensuous appearance , " not the bare physical object , but the image as remodeled by imagination and charged with vital meaning .
Pagina 374
What I shall say applies to empathic projection into definite sorts of objects , especially into the movements ... In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only ...
What I shall say applies to empathic projection into definite sorts of objects , especially into the movements ... In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only ...
Pagina 375
Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego that feels joyous or pleased " in view " of the object or " opposite " it . This means first of all that I may not only feel joyful or pleased ...
Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego that feels joyous or pleased " in view " of the object or " opposite " it . This means first of all that I may not only feel joyful or pleased ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York