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Pagina 86
From the outset it is manifested by two radically different methods of observation . Though the assertion may seem paradoxical , a study of other men is probably not necessary to the tragic poet . We find some of the great poets have ...
From the outset it is manifested by two radically different methods of observation . Though the assertion may seem paradoxical , a study of other men is probably not necessary to the tragic poet . We find some of the great poets have ...
Pagina 87
It is on others , then , that such observation must perforce be practiced . But it will , for this very reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not ...
It is on others , then , that such observation must perforce be practiced . But it will , for this very reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not ...
Pagina 451
... there anything but general observations , concerning what has been universally found to please in all countries and in all ages . ... it must be confined by rules of art , discovered to the author either by genius or observation .
... there anything but general observations , concerning what has been universally found to please in all countries and in all ages . ... it must be confined by rules of art , discovered to the author either by genius or observation .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |