A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 86
... observation . Though the assertion may seem paradoxical , a study of other men is probably not necessary to the ... observation that he lays hold of the potential in the real , and takes up what nature has left as a mere outline or ...
... observation . Though the assertion may seem paradoxical , a study of other men is probably not necessary to the ... observation that he lays hold of the potential in the real , and takes up what nature has left as a mere outline or ...
Pagina 87
... observation must perforce be practiced . But it will , for this very reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not be more than skin - deep , dealing ...
... observation must perforce be practiced . But it will , for this very reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not be more than skin - deep , dealing ...
Pagina 451
... observation . If some negligent or irregular writers have pleased , they have not pleased by their transgressions of rule or order , but in spite of these transgressions : They have possessed other beauties , which were con- formable to ...
... observation . If some negligent or irregular writers have pleased , they have not pleased by their transgressions of rule or order , but in spite of these transgressions : They have possessed other beauties , which were con- formable to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York