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Pagina 86
From the outset it is manifested by two radically different methods of observation .
Though the assertion may seem paradoxical , a study of other men is probably
not necessary to the tragic poet . We find some of the great poets have lived a ...
From the outset it is manifested by two radically different methods of observation .
Though the assertion may seem paradoxical , a study of other men is probably
not necessary to the tragic poet . We find some of the great poets have lived a ...
Pagina 87
It is on others , then , that such observation must perforce be practiced . But it will ,
for this very reason , assume a character of generality that it cannot have when
we apply it to ourselves . Settling on the surface , it will not be more than skin ...
It is on others , then , that such observation must perforce be practiced . But it will ,
for this very reason , assume a character of generality that it cannot have when
we apply it to ourselves . Settling on the surface , it will not be more than skin ...
Pagina 451
... experience ; nor are there anything but general observations , concerning what
has been universally found to please ... never submit to exact truth , it must be
confined by rules of art , discovered to the author either by genius or observation .
... experience ; nor are there anything but general observations , concerning what
has been universally found to please ... never submit to exact truth , it must be
confined by rules of art , discovered to the author either by genius or observation .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |