A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 101
... once to confuse and to distinguish them . Thus , it has been asserted that intuition is sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association ...
... once to confuse and to distinguish them . Thus , it has been asserted that intuition is sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association ...
Pagina 153
... once called it — the figure of a physician or teacher of mankind . The archetypal image of the wise man , the saviour or redeemer , lies buried and dormant in man's unconscious since the dawn of culture ; it is awakened whenever the ...
... once called it — the figure of a physician or teacher of mankind . The archetypal image of the wise man , the saviour or redeemer , lies buried and dormant in man's unconscious since the dawn of culture ; it is awakened whenever the ...
Pagina 445
... once more , O ye Laurels , and once more Ye Myrtles brown , with Ivy never - sear , I come to pluck your Berries harsh and crude , And with forc'd fingers rude , Shatter your leaves before the mellowing year . " " 3 Simultaneously , as ...
... once more , O ye Laurels , and once more Ye Myrtles brown , with Ivy never - sear , I come to pluck your Berries harsh and crude , And with forc'd fingers rude , Shatter your leaves before the mellowing year . " " 3 Simultaneously , as ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York