A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina xviii
... organic whole . But even here it is possible to exaggerate the differences . Freud agrees with Santayana that art is surcharged with pleasure , and with Tolstoy that it expresses emotions and not merely desires . Maritain agrees with ...
... organic whole . But even here it is possible to exaggerate the differences . Freud agrees with Santayana that art is surcharged with pleasure , and with Tolstoy that it expresses emotions and not merely desires . Maritain agrees with ...
Pagina xxvi
... organic unity — a concrete structure in which the character of the whole influences the intrinsic character of the parts . Every chord in a musical composition , every patch of color in a painting , every sound or image in a poem ...
... organic unity — a concrete structure in which the character of the whole influences the intrinsic character of the parts . Every chord in a musical composition , every patch of color in a painting , every sound or image in a poem ...
Pagina 386
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York