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Pagina xviii
... the mind as an organic whole . But even here it is possible to exaggerate the differences . Freud agrees with Santayana that art is surcharged with pleasure , and with Tolstoy that it expresses emotions and not merely desires .
... the mind as an organic whole . But even here it is possible to exaggerate the differences . Freud agrees with Santayana that art is surcharged with pleasure , and with Tolstoy that it expresses emotions and not merely desires .
Pagina xxvi
The work of art may be defined as an organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented ...
The work of art may be defined as an organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented ...
Pagina 386
The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived ...
The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |