A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 448
... organicism , and formism . Mechanism also goes by the name of " naturalism " or " materialism " ; contextualism is usually called " pragmatism " or " instrumentalism " ; organicism is most fully expressed in " absolute idealism ...
... organicism , and formism . Mechanism also goes by the name of " naturalism " or " materialism " ; contextualism is usually called " pragmatism " or " instrumentalism " ; organicism is most fully expressed in " absolute idealism ...
Pagina 467
... organicism . " I only know in philosophy , " he says , " one method ; and that is to expand all relevant facts , taken together , into ideas which approve themselves to thought as exhaustive and self - consistent . " I cannot stop to ...
... organicism . " I only know in philosophy , " he says , " one method ; and that is to expand all relevant facts , taken together , into ideas which approve themselves to thought as exhaustive and self - consistent . " I cannot stop to ...
Pagina 471
... Organicism proposes a justification for a final objective judgment for a highly integrated work of art . Notice the limitation of objectivity to the inte- grated work . The point is that , in consistency with the general organistic ...
... Organicism proposes a justification for a final objective judgment for a highly integrated work of art . Notice the limitation of objectivity to the inte- grated work . The point is that , in consistency with the general organistic ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York