A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
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Pagina 200
Each of the great theories of art— Formalism, Voluntarism, Emotionalism,
Intellectual- ism, Intuitionism, Organicism— converges on the attempt to state the
defining properties of art. Each claims that it is the true theory because it has
formulated ...
Each of the great theories of art— Formalism, Voluntarism, Emotionalism,
Intellectual- ism, Intuitionism, Organicism— converges on the attempt to state the
defining properties of art. Each claims that it is the true theory because it has
formulated ...
Pagina 448
He distinguishes four relatively adequate world hypotheses, which he calls
mechanism, contextualism, organicism, and formism. Mechanism also goes by
the name of "naturalism" or "materialism"; contextualism is usually called "
pragmatism" ...
He distinguishes four relatively adequate world hypotheses, which he calls
mechanism, contextualism, organicism, and formism. Mechanism also goes by
the name of "naturalism" or "materialism"; contextualism is usually called "
pragmatism" ...
Pagina 480
So out of organicism an esthetic conscience takes form, and we can speak of the
dictates of taste. But these are really just the natural movement of the esthetic
imagination undiverted in its aim to achieve an organic integration of feeling— an
...
So out of organicism an esthetic conscience takes form, and we can speak of the
dictates of taste. But these are really just the natural movement of the esthetic
imagination undiverted in its aim to achieve an organic integration of feeling— an
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York