A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 448
... organicist , and Aristotle as a formist . The mechanist asks of the work that it give pleasure ; the contextualist , that it exhibit vividness of quality ; the organicist , that it be a rich and well - integrated unity ; the formist ...
... organicist , and Aristotle as a formist . The mechanist asks of the work that it give pleasure ; the contextualist , that it exhibit vividness of quality ; the organicist , that it be a rich and well - integrated unity ; the formist ...
Pagina 467
... organicist is fond of saying , to " the weakness of the spectator . " Now , we need not concern ourselves with the question of the final adequacy of this view of things . It is clear even from the few references I have made that it ...
... organicist is fond of saying , to " the weakness of the spectator . " Now , we need not concern ourselves with the question of the final adequacy of this view of things . It is clear even from the few references I have made that it ...
Pagina 474
... organicist , by the objectivity of a work of art . And now I think it must be clear why only highly integrated embodiments of feeling have this objectivity . 6 We have in this process of the creative imagination the explanation of that ...
... organicist , by the objectivity of a work of art . And now I think it must be clear why only highly integrated embodiments of feeling have this objectivity . 6 We have in this process of the creative imagination the explanation of that ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York