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Pagina vii
The few very brief excerpts - as in the case of Wilde - present an idea no more tersely than in the original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated .
The few very brief excerpts - as in the case of Wilde - present an idea no more tersely than in the original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated .
Pagina 112
That is to say , Picasso has passed from the age of true childish inspira- tion , through years of conceptual and technical training , back to the original vision which is not childish , but has all the originality of the child's eye ...
That is to say , Picasso has passed from the age of true childish inspira- tion , through years of conceptual and technical training , back to the original vision which is not childish , but has all the originality of the child's eye ...
Pagina 163
How is the latent content contained in the original words and not contained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the ...
How is the latent content contained in the original words and not contained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |