A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina vii
... original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated . The selections are varied to avoid one - sidedness and to present supplemen- tary or conflicting ...
... original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated . The selections are varied to avoid one - sidedness and to present supplemen- tary or conflicting ...
Pagina 112
... original vision which is not childish , but has all the originality of the child's eye , com- bined with the far greater depth and richness of a man's experience . It may be said - it is sometimes believed - that Picasso's originality ...
... original vision which is not childish , but has all the originality of the child's eye , com- bined with the far greater depth and richness of a man's experience . It may be said - it is sometimes believed - that Picasso's originality ...
Pagina 163
... original words and not con- tained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the portion of external reality symbolized by the ...
... original words and not con- tained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the portion of external reality symbolized by the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York