A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina vii
... original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated . The selections are varied to avoid one - sidedness and to present supplemen- tary or conflicting ...
... original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated . The selections are varied to avoid one - sidedness and to present supplemen- tary or conflicting ...
Pagina 112
... original vision which is not childish , but has all the originality of the child's eye , com- bined with the far greater depth and richness of a man's experience . It may be said - it is sometimes believed that Picasso's originality is ...
... original vision which is not childish , but has all the originality of the child's eye , com- bined with the far greater depth and richness of a man's experience . It may be said - it is sometimes believed that Picasso's originality is ...
Pagina 163
... original words and not con- tained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the portion of external reality symbolized by the ...
... original words and not con- tained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the portion of external reality symbolized by the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York