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Pagina vii
The few very brief excerpts — as in the case of Wilde - present an idea no more
tersely than in the original source . I have avoided snippity fragments , but I have
counted brevity a virtue if the original thought is unmutilated . The selections are ...
The few very brief excerpts — as in the case of Wilde - present an idea no more
tersely than in the original source . I have avoided snippity fragments , but I have
counted brevity a virtue if the original thought is unmutilated . The selections are ...
Pagina 112
That is to say , Picasso has passed from the age of true childish inspiration ,
through years of conceptual and technical training , back to the original vision
which is not childish , but has all the originality of the child's eye , combined with
the far ...
That is to say , Picasso has passed from the age of true childish inspiration ,
through years of conceptual and technical training , back to the original vision
which is not childish , but has all the originality of the child's eye , combined with
the far ...
Pagina 163
How is the latent content contained in the original words and not contained in the
sense of the words - that is , in the portions of external reality which the words
symbolize ? The emotions are not associated affectively with the portion of
external ...
How is the latent content contained in the original words and not contained in the
sense of the words - that is , in the portions of external reality which the words
symbolize ? The emotions are not associated affectively with the portion of
external ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |