A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 93
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most vari- ous and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with ...
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most vari- ous and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with ...
Pagina 168
... ourselves , not as we are , but as we are in active potentiality of becoming in relation to reality through society ... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows ...
... ourselves , not as we are , but as we are in active potentiality of becoming in relation to reality through society ... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows ...
Pagina 371
... ourselves , and cease thinking about ourselves exactly in proportion as we are thinking of the mountain's shape . What becomes therefore of our awareness of raising or lifting or rising ? What can become of it ( so long as it continues ...
... ourselves , and cease thinking about ourselves exactly in proportion as we are thinking of the mountain's shape . What becomes therefore of our awareness of raising or lifting or rising ? What can become of it ( so long as it continues ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York