A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 102
... painter , or anything else . But be it pictorial , or verbal , or musical , or in whatever other form it appear , to ... painters , and bodies like sculptors ; save that painters and sculptors know how to paint and carve such images ...
... painter , or anything else . But be it pictorial , or verbal , or musical , or in whatever other form it appear , to ... painters , and bodies like sculptors ; save that painters and sculptors know how to paint and carve such images ...
Pagina 103
... painter is a painter , be- cause he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the characteristic traits of ...
... painter is a painter , be- cause he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the characteristic traits of ...
Pagina 415
... painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely contemplative and one might even say that he does ...
... painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely contemplative and one might even say that he does ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York