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Pagina xxiii
Beyond the head , instead of painting the ordinary wall of the mean room , I paint infinity , a plain background of the ... 8 What Van Gogh seeks to communicate through his painting is not a mere factual description ; he wishes to paint ...
Beyond the head , instead of painting the ordinary wall of the mean room , I paint infinity , a plain background of the ... 8 What Van Gogh seeks to communicate through his painting is not a mere factual description ; he wishes to paint ...
Pagina 205
No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer ... necessary and sufficient properties of painting but on whether we decide — as we did ! -to extend “ painting " to cover this case ...
No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer ... necessary and sufficient properties of painting but on whether we decide — as we did ! -to extend “ painting " to cover this case ...
Pagina 232
In fact , in much of what we think of under the term painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all adequate .
In fact , in much of what we think of under the term painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all adequate .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |