A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 201
... painting in their writings but both assert that what they find in that art can be generalized for what is " art " in the others as well . The essence of painting , they maintain , is the plastic elements in relation . Its defining ...
... painting in their writings but both assert that what they find in that art can be generalized for what is " art " in the others as well . The essence of painting , they maintain , is the plastic elements in relation . Its defining ...
Pagina 205
... painting , " " opera , " etc. , of " art " itself . No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer in the sense of a factual yes or no report . " Is this collage a painting or not ...
... painting , " " opera , " etc. , of " art " itself . No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer in the sense of a factual yes or no report . " Is this collage a painting or not ...
Pagina 232
... painting has not traditionally been sheer color design to any such degree as that in which musical composition has been pitch pattern ; and although temporal spread is as necessary a condition of music as spatial spread is of painting ...
... painting has not traditionally been sheer color design to any such degree as that in which musical composition has been pitch pattern ; and although temporal spread is as necessary a condition of music as spatial spread is of painting ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York