A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxiii
... painting the ordinary wall of the mean room , I paint infinity , a plain background of the richest , intensest blue that I can contrive , and by this simple combination of the bright head against the rich blue background I get a ...
... painting the ordinary wall of the mean room , I paint infinity , a plain background of the richest , intensest blue that I can contrive , and by this simple combination of the bright head against the rich blue background I get a ...
Pagina 205
... painting , " " opera , " etc. , of " art " itself . No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer in the sense of a factual yes or no report . " Is this collage a painting or not ...
... painting , " " opera , " etc. , of " art " itself . No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer in the sense of a factual yes or no report . " Is this collage a painting or not ...
Pagina 232
... painting has not traditionally been sheer color de- sign to any such degree as that in which musical composition has been pitch pat- tern ; and although temporal spread is as necessary a condition of music as spatial spread is of painting ...
... painting has not traditionally been sheer color de- sign to any such degree as that in which musical composition has been pitch pat- tern ; and although temporal spread is as necessary a condition of music as spatial spread is of painting ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York