A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 198
... particular shape , but " what is common to all shapes of leaf ? " Which shade is the " sample in my mind " of the color green - the sample of what is common to all shades of green ? " But might there not be such ' general ' samples ...
... particular shape , but " what is common to all shapes of leaf ? " Which shade is the " sample in my mind " of the color green - the sample of what is common to all shades of green ? " But might there not be such ' general ' samples ...
Pagina 372
... particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we ...
... particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we ...
Pagina 459
... particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect or perversion in the faculties may ...
... particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect or perversion in the faculties may ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York