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Pagina 198
But what does the picture of a leaf look like when it does not show us any particular shape , but " what is common to all shapes of leaf ? " Which shade is the " sample in my mind " of the color green - the sample of what is common to ...
But what does the picture of a leaf look like when it does not show us any particular shape , but " what is common to all shapes of leaf ? " Which shade is the " sample in my mind " of the color green - the sample of what is common to ...
Pagina 372
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
Pagina 459
The one is the different humors of particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect ...
The one is the different humors of particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York