A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 229
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the ...
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the ...
Pagina 372
... particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we ...
... particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we ...
Pagina 459
... particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect or perversion in the faculties may ...
... particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect or perversion in the faculties may ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York