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Pagina 198
But what does the picture of a leaf look like when it does not show us any
particular shape , but " what is common to all shapes of leaf ? ” Which shade is
the " sample in my mind ” of the color green - the sample of what is common to all
shades ...
But what does the picture of a leaf look like when it does not show us any
particular shape , but " what is common to all shapes of leaf ? ” Which shade is
the " sample in my mind ” of the color green - the sample of what is common to all
shades ...
Pagina 229
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for esthetics is not merely that a ...
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for esthetics is not merely that a ...
Pagina 459
The one is the different humors of particular men ; the other , the particular
manners and opinions of our age and country . The general principles of taste
are uniform in human nature : Where men vary in their judgments , some defect
or ...
The one is the different humors of particular men ; the other , the particular
manners and opinions of our age and country . The general principles of taste
are uniform in human nature : Where men vary in their judgments , some defect
or ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |