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Pagina 198
But what does the picture of a leaf look like when it does not show us any particular shape , but " what is common to all shapes of leaf ? ” Which shade is the " sample in my mind ” of the color green - the sample of what is common to ...
But what does the picture of a leaf look like when it does not show us any particular shape , but " what is common to all shapes of leaf ? ” Which shade is the " sample in my mind ” of the color green - the sample of what is common to ...
Pagina 229
By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are .
By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are .
Pagina 459
The one is the different humors of particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect ...
The one is the different humors of particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |