A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 229
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the ...
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the ...
Pagina 372
... particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we ...
... particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we ...
Pagina 459
... particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect or perversion in the faculties may ...
... particular men ; the other , the particular manners and opinions of our age and country . The general principles of taste are uniform in human nature : Where men vary in their judgments , some defect or perversion in the faculties may ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York