A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 232
... pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term painting ...
... pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term painting ...
Pagina 253
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is discourse ; and the pattern of discourse is known as discursive form . It is a highly ...
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is discourse ; and the pattern of discourse is known as discursive form . It is a highly ...
Pagina 265
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess consciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess consciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York