A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 253
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is dis- course ; and the pattern of discourse is known as discursive form . It is a ...
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is dis- course ; and the pattern of discourse is known as discursive form . It is a ...
Pagina 265
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess con- sciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess con- sciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
Pagina 332
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York