A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 253
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is dis- course ; and the pattern of discourse is known as discursive form . It is a ...
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is dis- course ; and the pattern of discourse is known as discursive form . It is a ...
Pagina 265
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess con- sciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess con- sciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
Pagina 325
... pattern or meaning , in which is concentrated the characteristic value of the whole . It contains the work of art in little ; represents it ; provides the key to our appreciation and understanding of it . Thus every good pattern is ...
... pattern or meaning , in which is concentrated the characteristic value of the whole . It contains the work of art in little ; represents it ; provides the key to our appreciation and understanding of it . Thus every good pattern is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York