A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 15
... perceived in its real qualities of solidity and hardness , but the block does not possess the repose and playfulness and dignity that I read into it esthetically . The words of a poem are not merely descriptive of their object , but ...
... perceived in its real qualities of solidity and hardness , but the block does not possess the repose and playfulness and dignity that I read into it esthetically . The words of a poem are not merely descriptive of their object , but ...
Pagina 182
... perceived and be regulated by them , so , on the other side , seeing , hearing , tasting , become esthetic when relation to a distinct manner of activity qualifies what is perceived . There is an element of passion in all esthetic ...
... perceived and be regulated by them , so , on the other side , seeing , hearing , tasting , become esthetic when relation to a distinct manner of activity qualifies what is perceived . There is an element of passion in all esthetic ...
Pagina 186
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York