A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 15
... perceived in its real qualities of solidity and hardness , but the block does not possess the repose and playfulness and dignity that I read into it esthetically . The words of a poem are not merely descriptive of their object , but ...
... perceived in its real qualities of solidity and hardness , but the block does not possess the repose and playfulness and dignity that I read into it esthetically . The words of a poem are not merely descriptive of their object , but ...
Pagina 182
... perceived and be regulated by them , so , on the other side , seeing , hearing , tasting , become esthetic when relation to a distinct manner of activity qualifies what is perceived . There is an element of passion in all esthetic ...
... perceived and be regulated by them , so , on the other side , seeing , hearing , tasting , become esthetic when relation to a distinct manner of activity qualifies what is perceived . There is an element of passion in all esthetic ...
Pagina 186
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York