A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 35
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
Pagina 69
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
Pagina 70
... perception , was neither distinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
... perception , was neither distinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York