A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 69
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
Pagina 70
... perception , was neither distinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
... perception , was neither distinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
Pagina 185
... perception but recognition . The difference between the two is immense . Recognition is perception arrested before it has a chance to develop freely . In recognition there is a beginning of an act of perception . But this beginning is ...
... perception but recognition . The difference between the two is immense . Recognition is perception arrested before it has a chance to develop freely . In recognition there is a beginning of an act of perception . But this beginning is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York