A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 48
... perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emo- tional reaction , the pleasure of the perception , as an integral part of the conceived thing . Nor is it hard to find ...
... perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emo- tional reaction , the pleasure of the perception , as an integral part of the conceived thing . Nor is it hard to find ...
Pagina 69
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
Pagina 70
... perception , was neither distinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
... perception , was neither distinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York