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Pagina 69
This understanding is the religious perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally .
This understanding is the religious perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally .
Pagina 70
All the rest of art - stories , songs , dances , ornamentation of houses , of utensils , and of clothes - which was not contrary to religious perception , was neither distinguished nor discussed . Thus as regards its subject matter has ...
All the rest of art - stories , songs , dances , ornamentation of houses , of utensils , and of clothes - which was not contrary to religious perception , was neither distinguished nor discussed . Thus as regards its subject matter has ...
Pagina 185
Otherwise , there is not perception but recognition . The difference between the two is immense . Recognition is perception arrested before it has a chance to develop freely . In recognition there is a beginning of an act of perception ...
Otherwise , there is not perception but recognition . The difference between the two is immense . Recognition is perception arrested before it has a chance to develop freely . In recognition there is a beginning of an act of perception ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |