A Modern Book of Esthetics: An Anthology |
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Pagina 48
The scientific idea of a thing is a great abstraction from the mass of perceptions
and reactions which that thing produces; the esthetic idea is less abstract, since it
retains the emotional reaction, the pleasure of the perception, as an integral part
...
The scientific idea of a thing is a great abstraction from the mass of perceptions
and reactions which that thing produces; the esthetic idea is less abstract, since it
retains the emotional reaction, the pleasure of the perception, as an integral part
...
Pagina 69
The appraisement of feelings (that is, the recognition of one or other set of
feelings as more or less good, more or less necessary for the well-being of
mankind) is effected by the religious perception of the age. In every period of
history and in ...
The appraisement of feelings (that is, the recognition of one or other set of
feelings as more or less good, more or less necessary for the well-being of
mankind) is effected by the religious perception of the age. In every period of
history and in ...
Pagina 70
All the rest of art— stories, songs, dances, ornamentation of houses, of utensils,
and of clothes— which was not contrary to religious perception, was neither
distinguished nor discussed. Thus as regards its subject matter has art always
and ...
All the rest of art— stories, songs, dances, ornamentation of houses, of utensils,
and of clothes— which was not contrary to religious perception, was neither
distinguished nor discussed. Thus as regards its subject matter has art always
and ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York