A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 250
... Perhaps the easiest way to grasp the idea of “ logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide choice of ...
... Perhaps the easiest way to grasp the idea of “ logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide choice of ...
Pagina 375
... perhaps also yielding to them ; I have a sense of reaching a goal , of satisfying my striving and my will , I feel my efforts succeeding . In short , I feel a multifarious " inner activity . " And in all this I feel vigorous , free ...
... perhaps also yielding to them ; I have a sense of reaching a goal , of satisfying my striving and my will , I feel my efforts succeeding . In short , I feel a multifarious " inner activity . " And in all this I feel vigorous , free ...
Pagina 414
... perhaps it would be more exact to say the wife and the painter witness two facts entirely different . It happens then that the same reality breaks into many diverging realities when it is seen from different points of view . And here we ...
... perhaps it would be more exact to say the wife and the painter witness two facts entirely different . It happens then that the same reality breaks into many diverging realities when it is seen from different points of view . And here we ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York