A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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... Perhaps until his life was finished, his intentions had to be concealed, made indistinct or im- perceptible. His challenge was of such magnitude that it carried him far beyond ... Perhaps Nietzsche, Philosopher of the Perilous Perhaps.
... Perhaps until his life was finished, his intentions had to be concealed, made indistinct or im- perceptible. His challenge was of such magnitude that it carried him far beyond ... Perhaps Nietzsche, Philosopher of the Perilous Perhaps.
Pagina
... Perhaps of Sacred Speculation 1. perhaps 2. orthodoxy Figure 1. Two ways to say perhaps orthodoxy perhaps 48 adiaphora To be clear , there are times when perhaps is not helpful . Thus , it is not a panacea for our fractured Pangaea . If ...
... Perhaps of Sacred Speculation 1. perhaps 2. orthodoxy Figure 1. Two ways to say perhaps orthodoxy perhaps 48 adiaphora To be clear , there are times when perhaps is not helpful . Thus , it is not a panacea for our fractured Pangaea . If ...
Pagina
... perhaps you may or may not respond. Perhaps I write you because I am compelled to write you because I may or may not help you. Perhaps I say perhaps a lot so I do not give my self the impression I know something. Perhaps I should avoid ...
... perhaps you may or may not respond. Perhaps I write you because I am compelled to write you because I may or may not help you. Perhaps I say perhaps a lot so I do not give my self the impression I know something. Perhaps I should avoid ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York