A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 266
... person may resemble that of a particular tree more closely than that of another person . The state of affairs in a human society may be similar to the tension in the skies just before the outbreak of a thunder- storm . Further , our ...
... person may resemble that of a particular tree more closely than that of another person . The state of affairs in a human society may be similar to the tension in the skies just before the outbreak of a thunder- storm . Further , our ...
Pagina 332
... person may recognize an excerpt from a poem as a quotation from Whit- man or Dante by the rhythm of the language or by other formal features of the verse . A person may equally recognize a piece of music as by Bach or Beethoven or ...
... person may recognize an excerpt from a poem as a quotation from Whit- man or Dante by the rhythm of the language or by other formal features of the verse . A person may equally recognize a piece of music as by Bach or Beethoven or ...
Pagina 378
... person's arm extended . Let the manner of extension be perceptibly free , easy , sure , proud . Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . Let these be the object of my ...
... person's arm extended . Let the manner of extension be perceptibly free , easy , sure , proud . Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . Let these be the object of my ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York