A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 127
... Phantasy - Making and Art the origin and meaning of that mental activity called " phantasy - making . " In general , as you know , it enjoys high esteem , although its place in mental life has not been clearly understood . I can tell ...
... Phantasy - Making and Art the origin and meaning of that mental activity called " phantasy - making . " In general , as you know , it enjoys high esteem , although its place in mental life has not been clearly understood . I can tell ...
Pagina 128
... phantasy and reality are already determined by the arrest at this stage of introversion . . . Before you leave today I should like to direct your attention for a moment to a side of phantasy - life of very general interest . There is ...
... phantasy and reality are already determined by the arrest at this stage of introversion . . . Before you leave today I should like to direct your attention for a moment to a side of phantasy - life of very general interest . There is ...
Pagina 132
... phantasies to time is altogether of great importance . One may say that a phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up ...
... phantasies to time is altogether of great importance . One may say that a phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York