A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina xxv
... philosophers say that this artifact is only a means to an end , namely , the reproduction of the real work of art in the minds of the beholders , whereas the more materialistic philosophers contend that the physical thing is truly the ...
... philosophers say that this artifact is only a means to an end , namely , the reproduction of the real work of art in the minds of the beholders , whereas the more materialistic philosophers contend that the physical thing is truly the ...
Pagina 172
... Philosophers , even empirical philosophers , have spoken for the most part of experience at large . Idiomatic speech , however , refers to experiences each of which is singular , having its own beginning and end . For life is no uniform ...
... Philosophers , even empirical philosophers , have spoken for the most part of experience at large . Idiomatic speech , however , refers to experiences each of which is singular , having its own beginning and end . For life is no uniform ...
Pagina 200
... Philosophers , critics , and even artists who have written on art , agree that what is primary in esthetics is a theory about the nature of art . Is esthetics theory , in the sense of a true definition or set of necessary and sufficient ...
... Philosophers , critics , and even artists who have written on art , agree that what is primary in esthetics is a theory about the nature of art . Is esthetics theory , in the sense of a true definition or set of necessary and sufficient ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York