A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 88
... physical fact : for example , certain deter- mined colors , or relations of colors ; certain definite forms of bodies ; certain defi- nite sounds , or relations of sounds ; certain phenomena of heat or of electricity— in short ...
... physical fact : for example , certain deter- mined colors , or relations of colors ; certain definite forms of bodies ; certain defi- nite sounds , or relations of sounds ; certain phenomena of heat or of electricity— in short ...
Pagina 89
An Anthology Melvin Miller Rader. be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth ...
An Anthology Melvin Miller Rader. be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth ...
Pagina 215
... physical vehicle it can be imagined , and thus internally produced , by an artist who did not choose to manifest it externally . I think the relation is somewhat complex between works of art and physical objects , or , rather , between ...
... physical vehicle it can be imagined , and thus internally produced , by an artist who did not choose to manifest it externally . I think the relation is somewhat complex between works of art and physical objects , or , rather , between ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York