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Pagina 88
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain deter- mined colors , or relations ...
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain deter- mined colors , or relations ...
Pagina 89
be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth , must not abstain from the good ...
be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth , must not abstain from the good ...
Pagina 215
According to them a work of art must be distinguished from all physical objects , even from such objects as the picture on the gallery wall , the sounds filling the concert hall , the printed volume from which the novel is being read .
According to them a work of art must be distinguished from all physical objects , even from such objects as the picture on the gallery wall , the sounds filling the concert hall , the printed volume from which the novel is being read .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |