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Pagina 88
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain deter- mined colors , or relations ...
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain deter- mined colors , or relations ...
Pagina 89
be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth , must not abstain from the good ...
be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth , must not abstain from the good ...
Pagina 215
According to them a work of art must be distinguished from all physical objects , even from such objects as the picture on the gallery wall , the sounds filling the concert hall , the printed volume from which the novel is being read .
According to them a work of art must be distinguished from all physical objects , even from such objects as the picture on the gallery wall , the sounds filling the concert hall , the printed volume from which the novel is being read .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |