A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 88
... physical fact : for example , certain deter- mined colors , or relations of colors ; certain definite forms of bodies ; certain defi- nite sounds , or relations of sounds ; certain phenomena of heat or of electricity— in short ...
... physical fact : for example , certain deter- mined colors , or relations of colors ; certain definite forms of bodies ; certain defi- nite sounds , or relations of sounds ; certain phenomena of heat or of electricity— in short ...
Pagina 89
An Anthology Melvin Miller Rader. be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth ...
An Anthology Melvin Miller Rader. be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth ...
Pagina 215
... physical vehicle it can be imagined , and thus internally produced , by an artist who did not choose to manifest it externally . I think the relation is somewhat complex between works of art and physical objects , or , rather , between ...
... physical vehicle it can be imagined , and thus internally produced , by an artist who did not choose to manifest it externally . I think the relation is somewhat complex between works of art and physical objects , or , rather , between ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York