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Pagina 11
It is very improbable that in looking at a picture book the child surrenders to a real illusion . For he himself turns the leaves upon which the pictures are imprinted , he himself points at them with his finger , and he feels in doing ...
It is very improbable that in looking at a picture book the child surrenders to a real illusion . For he himself turns the leaves upon which the pictures are imprinted , he himself points at them with his finger , and he feels in doing ...
Pagina 12
In the presence of them he can evolve a purely esthetic illusion , and there is no doubt that most people gain the faculty for conscious self - deception chiefly through the picture book . For through it is offered the first opportunity ...
In the presence of them he can evolve a purely esthetic illusion , and there is no doubt that most people gain the faculty for conscious self - deception chiefly through the picture book . For through it is offered the first opportunity ...
Pagina 224
The danger is to try and make a picture of this effort , apart from any of its achievements , which is really nothing . Then you get the enfeebled ideal , which means the omission of all character and individuality .
The danger is to try and make a picture of this effort , apart from any of its achievements , which is really nothing . Then you get the enfeebled ideal , which means the omission of all character and individuality .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York