A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 198
... picture . So if I am shown various different leaves and told " This is called a ' leaf , " I get an idea of the shape of a leaf , a picture of it in my mind.— But what does the picture of a leaf look like when it does not show us any ...
... picture . So if I am shown various different leaves and told " This is called a ' leaf , " I get an idea of the shape of a leaf , a picture of it in my mind.— But what does the picture of a leaf look like when it does not show us any ...
Pagina 216
... picture is not a picture and is of an entirely different logical type because the work of producing a picture cannot be done or , at least , completed without physical labor . But the task of making up a poem or story or composing a ...
... picture is not a picture and is of an entirely different logical type because the work of producing a picture cannot be done or , at least , completed without physical labor . But the task of making up a poem or story or composing a ...
Pagina 224
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York